Stefan Zwicky b. 1952

concrete and iron

Ottagono, September 1982, p.43
Architektur & Wohnen,. 2 September - 1December, 1986, p.170
Der Spiegel, das deutsche Nachrichtenmagazin, 24 November, 1986, p. 248
Jean Louis Gaillemin, Design Contre Design, exhibition catalogue, Réunion des Musées Nationaux, Galeries Nationales du Grand Palais, Anvers, 2007, pp. 233, 362

A striking piece of good overall appearance. Please note that the catalogue illustration is a library photograph of another chair from the edition but is a good likeness of the lot which is slightly more grey in tone - further images are available on request. The `cushions' have overall marks, blemishes, scratches and air bubbles to the surface inherent in the making. Also 1 or 2 areas of irregularity to the surface, again consistent with the material. The rear right (facing) corner of the top seat cushion has been chipped and restored to a high standard. However the two seat cushions have been reversed and the thicker cushion is currently on top, therefore the restoration will be hidden once the cushions have been put into the right order. N.B. The thinner cushion has not been examined for the purposes of this report. Rear back cushion is leaning forward very slightly. Minor oxidisation to metal frame. Nonetheless, a great conceptual piece.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Stefan Zwicky, Swiss born interior designer, challenged the simplicity and perception of an iconic form by Le Corbusier with the introduction of contrary material in his use of concrete and rebar.  Grand Confort, Sans Confort, Dommage à Corbu was first produced in 1980 for the exhibition entitled Vor dem Abbruch at the Kunstmuseum in Bern.  Later examples in the series were executed in collaboration with Teo Jakob, the noted Swiss interior design firm.