- 173
Gilberto Zorio
Estimate
15,000 - 20,000 EUR
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Description
- Gilberto Zorio
- Senza titolo
firmato, dedicato e datato 1996
- acquerello, vernice a spruzzo e sabbia su carta
- cm 75x200 (in due parti)
Provenance
Galleria Toselli, Milano
Exhibited
Lodi, Museo Civico di Lodi, Lodi all'Arte, 1997
Condition
This work appears to be in generally good overall condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"L'immagine sembra quasi decomporsi nell'acido di un'implacabile curiosità che sottolinea il proprio disinteresse per il suadente svolgere compositivo, e si sofferma invece sul lato più discreto e silenzioso della suggestione creativa. Lo sguardo si pone così nel luogo del non-racconto, in quella terra di nessuno dove il pensiero esplode lanciando frammenti di sogni e progetti, schegge di ricerca e di poesia"
D. Eccher, Gilberto Zorio, Bergamo 2001, pag.7
D. Eccher, Gilberto Zorio, Bergamo 2001, pag.7