- 64
A SUPERB AND VERY RARE PARCEL-GILT BOWL AND COVER TANG DYNASTY, 8TH/9TH CENTURY
Description
Exhibited
Catalogue of the Exhibition of Chinese Art 1935-6, Royal Academy of Arts, London, 1935-36, cat. no. 777.
Chinese Gold and Silver in the Carl Kempe Collection, Smithsonian Institution, Washington, D.C., 1954-55, cat. no. 115.
Chinese Gold, Silver and Porcelain. The Kempe Collection, Asia House Gallery, New York, 1971, cat. no. 56,an exhibition touring the United States and shown also at nine other museums.
Literature
Bo Gyllensvärd, Chinese Gold and Silver in the Carl Kempe Collection, Stockholm, 1953, pl. 115.
Bo Gyllensvärd, 'T'ang Gold and Silver', Bulletin of the Museum of Far Eastern Antiquities, no.29, 1957, figs. 85c, 96a-c, 96i.
Chinese Gold and Silver in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 1999, pl. 117.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This magnificent bowl and cover, as well as the accompanying bowl without cover, lot 74, are among the finest Tang parcel-gilt silver objects recorded. The exquisite feathery incising is worked as a double-sided design around the sides of the bowl, to appear as a positive image equally when seen from the inside and from the outside. Designs such as these vary from piece to piece and differ in how densely they cover the surface. The lush gilded floral cartouches include a naturalistically rendered lotus spray, with a bloom with pod-like centre and a large curled leaf, but otherwise show fanciful blooms and large serrated leaves which are difficult to identify. This unusual, finely worked and imaginative style of decoration appears on only a very small group of silver vessels, most of which are preserved in Western museum collections.
A group of eight bowls of this type, four with and four without covers, originally in the collection of Orvar Karlbeck, is reputed to have been found at Balin in Eastern Mongolia in 1930, but roughly a dozen related bowls are preserved in Europe and the United States, eight of them with covers. A pair of similar covered bowls in the University Museum, Philadelphia, is illustrated in Bo Gyllensvard, 'T'ang Gold and Silver', Bulletin of the Museum of Far Eastern Antiquities, no. 29, Stockholm, 1957, pl. 21; another pair of covered bowls from the Eugene Fuller Memorial collection in the Seattle Art Museum is published in Mary Tregear, Chinese Art, London, 1980, pl. 80. A single bowl and cover of this type from the Hellstrom collection was included in the International Exhibition of Chinese Art, Royal Academy of Arts, London, 1935-6, cat. no. 785; another from the collection of Lord Lee of Fareham, on loan to the Royal Ontario Museum, Toronto, was included in the Museum's exhibition Silk Roads - China Ships, Toronto, 1983, p. 73; and one from the collection of Dr. Pierre Uldry was included in the exhibition Chinesisches Gold und Silber, Rietberg Museum, Zurich, 1994, cat. no. 147, the bowl sold in these rooms, 13th June 1989, lot 59, the cover, 13th December 1988, lot 16; and one was included in the exhibition of Gold and Silver in Early Chinese Art, W. Burchard, London, 1938, pl. 8, no. 53.