Abel Pann 1883-1963

Glue residue along left side approximately 3/4 inch wide. Apparent frame abbrasion at left side. Otherwise work is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Born in the Vitebsk region of White Russia in 1883, Abel Pann came from a traditional Jewish background.  His father, contrary to most Jewish parents, encouraged the young Pann to pursue his interest in art and at the age of twelve, the artist travelled to Vilna to apprentice in a lithographic press. Eventually, in 1898, Pann was accepted in to the Academy of Fine Art in Odessa where he joined the Zionist movement.  In 1903, he moved to Paris, working as an artist, cartoonist and pictorial journalist.  Ten years later, Pann travelled to Palestine and overwhelmed by the experience of "coming home", made the decision to permanently settle in Jerusalem.  Like many artists of the nineteenth century, Pann was influenced by Western ideas and attitudes towards the Oriental world. He drew on the perception that the East was both barbaric and idyllic and romantic. (Yigal Zalmona, The Art of Abel, Jerusalem, p. 59).  Pann's depiction of the Arab Legionnaire infuses these notions, portraying the subject as he stands imperiously; strong and fearless. The upward tilt of his head and direct, penetrating gaze towards the viewer accentuates his temperament. Pann, while romanticizing his subject, at the same time reveals his acute sense of observation, enabling him to expose the substance and spirit of this legionnaire.