- 162
Hanna Sahar b. 1966
Estimate
5,000 - 7,000 USD
bidding is closed
Description
- Hanna Sahar
- Nude
- color print
- 27 1/2 by 41 3/8 in.
- 70 by 105 cm.
- This work is number 2 from an edition of 6.
Provenance
Sommer Contemporary Art
Acquired from the above by the present owner
Acquired from the above by the present owner
Condition
This work is in very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Hana Sahar was born in Israel and studied photography at Camera Obscura School of Art, Tel Aviv. She has held numerous solo exhibitions throughout Israel and in Antwerp, Hamburg and Paris.
'It is the Romantic nocturnal landscape that puts Hanna Sahar's photographs under its spell. These seem to be her versions of 19th century vignettes where compositions of caverns,...and shaded images may recall an embryonic moment.' (Sarit Shapira quoted in www.artis-israel.org/featured_layla.php)