Lot 154
  • 154

Ori Gersht b. 1967

Estimate
12,000 - 18,000 USD
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Description

  • Ori Gersht
  • White Scape 2
  • c-print mounted on aluminum
  • 60 by 72 in.
  • 152.4 by 182.9 cm.
  • Executed in 1999-2000, this work is number 3 from an edition of 5.

Provenance

Noga Gallery, Tel Aviv
Acquired from the above by the present owner

Condition

Work in very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This work is from Ori Gersht's White Noise series photographed between 1999-2000 in Birekenau, Poland.

Ori Gersht's oeuvre is concerned primarily with history and metaphor, journeys and geographical places and the essence of metaphysical place. Many of his series deal with traumas of the past, the series White Noise documents his train journey from Krakow to Auschwitz. This series not only probes into a universal trauma but into a personal one, as Gersht's family originated from Krakow. In an interview with Katherine Stout, the artist explains the challenges he faced 'Firstly my family is from Krakow and the second is the statement from Adorno that there won't be any lyrical poetry after Auschwitz. Photographs always struggle in places like these because a photograph is good at recording detail, but it cannot talk about the depth of the emotion in the events that took place. I was interested in the challenge of what can happen in a place the camera can never deal with.' (Ori Gersht quoted  in  Afterglow, Ori Gersht, London and Tel Aviv, 2002, pp. 139.)