Lot 140
  • 140

Yehudit Sasportas b. 1969

Estimate
10,000 - 15,000 USD
Log in to view results
bidding is closed

Description

  • Yehudit Sasportas
  • Untitled
  • acrylic on MDF

  • 47 1/4 by 55 in.
  • 120 by 139.7 cm.
  • Executed in 2003-2004.

Condition

Two very minor chips to botton left corner of frame surrounding panel with tree. One small chip to center right edge of frame. Overall very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Born in Israel in 1969, Yehudit Sasportas recieved both her B. A and M.A. at the  Bezalel Academy of Art and Design.  Since 1994 she has exhibited regularly in solo and group exhibitions worldwide, including the 6th International Biennial, Turkey (2000), Deitch Projects (2001), Lehmann Maupin Gallery, NY (2004) and Galerie Eigen+Art, Berlin (2006). In 2007, Sasportas represented Israel at the Israeli pavilion at the 51st Venice Biennale.

In the exhibition catalogue for the Biennale exhibition, Suzanne Landau describes the essence of Sasportas's work:   'Sasportas's work is a synthesis of many dual identities and dichotomous meanings, such as East and West, rational and spiritual. It embodies tensions between the modernist, formal sculptural structure and the emotional and painterly ones, between the rhetoric of intellectual discipline and the narrative content. Sasportas's fascination with modernist architecture culminates, in the precise constructions of doors, windows and gates, executed in a strict minimalist language. The technically clear compositions of rectangular forms contrast and simultaneously blend with the drawings and paintings...to form a single unit...Her work is like a three dimensional poem one undertakes to read and decipher.' (Suzanne Landau, 'Guardians of the Threshold', (exhibition catalogue) Cologne, 2007, p. 36).  

A related work by Sasportas is in the collection of the Israel Museum in Jerusalem.