- 231
Karl Hubbuch
Description
- Karl Hubbuch
- IM ATELIER (IN THE STUDIO)
- signed Hubbuch (lower centre)
- watercolour, brush and ink and charcoal on joined paper
- 105.5 by 100.5cm., 41 1/2 by 39 5/8 in.
Provenance
Fischer Fine Art, London
Michael Hasenclever, Munich
Nancy Schwartz Fine Art, New York (acquired in 1989)
Acquired from the above by the present owner
Exhibited
London, Daniela Luxembourg Art, Lonely Prophets: German Art from 1910 to 1930, 2007, illustrated in the catalogue
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Im Atelier epitomises the artist's Neue Sachlichkeit (New Objectivity) precision of draughtsmanship and clarity of vision. The present work stands out as a powerful and arresting image from the peak of Hubbuch's style, depicting modern, emancipated German womanhood with the newly-acquired self-confidence typical of the changes that occurred after the First World War. The light wash of colour throughout the composition allows Hubbuch to pick out the details of particular faces to a great effect. The pink tones of the lips contrasting with the blue eyes of the two women to the right of the picture plane, gives a tonal highlight to the composition, a technique which Hubbuch frequently employed in his works on paper. The artist here is more interested in the traits of special types rather than the individual, allowing the viewer both to concentrate on a particular character within the group yet remain distanced from her inner personality.