Maurice Utrillo

Dr. Léon Launay (the artist's doctor, a gift from the artist)
Private Collection, France
Thence by descent to the present owner

The board is sound. There is no evidence of retouching under ultra-violet light. Apart from some faint specks of foxing mostly located in the sky in the centre of the composition, this work is in good condition. Colours: overall fairly accurate although slightly lighter and brighter in the original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In the summer of 1912, Maurice Utrillo spent two months in Sannois-sur-Seine. He had been suffering from a nostalgic sort of depression, and had taken refuge in the quiet streets of this small town outside Paris, where he made a quick recovery. For Utrillo, the most important form of rehabilitation was his art. The artist executed some of his most beautiful work of the time at Sannois, especially his series of street scenes. This work, with its sombre colours, flat finish, frenetic brushstrokes, and weighty, cloud-filled sky, certainly captures the artist's nostalgic sadness at the beginning of his stay. However, despite its dusky tone, this work remains a beautiful example of the escape Utrillo found in his painting.