- 206
GOLD AND SILVER MICROMOSAIC BROOCH, CASTELLANI, CIRCA 1860
Description
Literature
Cf: Exhibition Catalogue: Susan Weber Soros and Stefanie Walker, Castellani and Italian Archaeological Jewelry, The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, Yale University Press, New Haven and London, 2004, pages 160-164, 245, 334 for examples of micromosaic jewels by Castellani depicting Christian symbols.
Cf: Geoffrey C. Munn, Castellani and Giuliano, Rivivalist Jewellers of the Nineteenth Century, London, 1984, for several examples of micromosaic jewels by Carlo Giuliano and Castellani.
Cf: A.Kenneth Snowman, The Master Jewelers, Thames & Hudson, 1990, page 12 for an example of a ring by Castellani incorporating the Chi-Rho monogram of Christ.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones and to the Notice regarding import of Burmese jadeite and rubies into the US.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Christian inscriptions and symbols often featured in mosaic jewels by both Castellani and Giuliano; 'Chi-Rho' for Christ as in this example was often accompanied by Alpha and Omega, signifying the beginning and the end. Other jewels might feature a fish representing Ichtus a Greech achronym for Jesus Christ, Son of God, the Saviour, or the anchor symbolic of Christian hope. The Lamb of God and even the peacock with its thousand eyes representing the 'all seeing Church' are all familiar examples of subject matter used in 19th Century revivalist jewels.