Lot 267
  • 267

Guéridon "japonisant" en bronze doré fin du XIX e siècle, signé Barbedienne d'après un dessin d'Edouard Lièvre

Estimate
12,000 - 15,000 EUR
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Description

  • Haut. 88 cm, larg. 65,5 cm
  • Height 34 2/3 in; width 25 3/4 in
le piétement ajouré en bronze doré imitant un assemblage de bambou, soutenant un plateau circulaire en marbre griotte

Provenance

Ancienne collection Madelaine Castaing

Literature

R. Polo, Connaissance des arts, H.S. n°228, Edouard Lièvre, un créateur inspiré.

R. Polo, L'estampille, l'objet d'art, n° 394, septembre 2004, pp. 102-113

Condition

Illustration is slightly too pale. Please note that the gueridon is attributed to Barbedienne, not signed. The design of the stem is really attractive ; the stem with wear to the gilding and traces of previous cleaning. The structure is solid and the piece absolutly stable. The griotte marble has a good colour, the top is quite stick. Attractive model in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Une jardinière réalisée par F. Barbedienne d'après un dessin d'Edouard Lièvre présentant un piétement comparable est conservée au musée des arts décoratifs à Paris. La collaboration entre le célèbre dessinateur et la fonderie Barbedienne est établie et l'exemple le plus probant est vraisemblablement l'aquarium japonisant  (illustré dans l'Estampille l'objet d'art, op cit.) réalisé vers 1875 et dont une partie de la structure figurant des assemblages de bambous se retrouve sur le fût de notre guéridon.