A Louis XVI ormolu-mounted mahogany commode circa 1780, stamped E. Levasseur

the rectangular white marble top with rounded forecorners above three frieze drawers and two long drawers sans traverse, with rounded fluted corners continuing to tapered fluted legs; fitted with ormolu borders, keyhole escutcheons and handles.



 

Minor marks to the marble top. The commode is slightly bowed causing the bottom two drawers to misalign slightly. Minor marks and surface abrasions to the mahogany surfaces, consistent with age and use. In otherwise good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Etienne Levasseur was regarded as one of the finest Parisian ébénistes working in the last half of the 18th century.  Before receiving his maîtrise he worked for one of André-Charles Boulle's sons which is undoubtedly where he acquired his facility for working with Boulle marquetry.  He became celebrated for the furniture he produced in the Boulle style either incorporating old panels of marquetry, or those which he made himself.  He was also much sought after to repair Boulle furniture which was still very much in fashion and in use.

This commode is an example of the refined furniture which Levasseur produced using simple mahogany veneers of the best quality.  The sober lines and sparing use of ormolu, together with the extremely high degree of craftsmanship exercised in construction, combine to typify his work of the last quarter of the 18th century.