A pair of French bronze, gilt-bronze and patinated metal candelabra, possibly Société Collas et Barbedienne second half 19th century

with a pastille stamped 'Reduction mecanique A. Collas Brevette', each in the form of a standing female figure in neo-classical drapery, probably after the antique, supporting on her head a stylised Corinthian column issuing eight scrolled candlearms, the stem surmounted by an associated snake entwined stork, on a tri-form base cast with seated winged cherubs blowing trumpets interposed by grotesque male masks on paw feet; now fitted as lamps

Some very minor rubbing to bronze and gilt-bronze and tarnishing to gilt-bronze in places and minor casting flaws, but in general good condition.The finial below the scrolls in the centre of the candelabra section of one is slightly crooked, but can be re-adjusted. In overall good condition with excellent quality casting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In 1838 Ferdinand Barbedienne (1810-1892) established with Achille Collas (1794-1859) the Sociéte Collas et Barbedienne, Collas had developed an ingenious technique for copying works of art. A pointing device which could make marketed reductions of statuary in bronze, ivory, wood, soapstone, alabaster and plaster. In 1853, Collas was awarded a grand medal of honour for his amazing lathe. In 1857, the firm went on to establish its own foundry at 63, rue de Lancry. Collas died in 1859 and Barbedienne continued to utilise the process established by Collas and the company went on to become one of the largest and most successful fondeurs in France. The company used a pastille featuring a impressed bust of Collas to indicate whenever his pioneering process was used.

For a brief discussion on this technique see J. G. Reinis, The Founders and editors of The Barye Bronzes, New York, 2007, p. 43-45.