Lot 304
  • 304

A pair of Italian bronze candelabra, Rome circa 1835

Estimate
10,000 - 15,000 GBP
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Description

  • each: 80cm. high; 2ft. 7½in.
each in the form of flaming anthénienne, the top with a candle-nozzle in the form of a flaming finial, above three further nozzles surmounting a tazza supported on the back of three addorsed swans, the stem cast with lotus and laurel leaves above an ovoid section cast with a trident, issuing three candlearms in the form of dolphins suppporting a scallopshell containing a candle-nozzle, the triform base with three addorsed recumbent female sphinxes, on paw feet

Condition

The finial on one is rubbed more than the other. Very good quality casting and a rare model. One of the bobèche has a crack where it joins the nozzle, but can easily be resoldered. Some very minor dents to the nozzles in the lower sections. The drip-pan beneath the flaming finial on top is replaced on one. In overall very good original condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Comparative Literature:
Alvar Gonzalez-Palacios, Il Tempio del Gusto, Vol.II, Milan, 1984, p. 131, fig. 286, fig. 287, p. 132, fig. 288

These candelabra are similar in inspiration to a design for candelabra by Lorenzo Rocheggiani, see Pietro Ruga and Lorenzo Roccheggiani, circa 1817, reproduced here in fig.1.

We are grateful to Roberto Valeriani for providing us with the design.