An unusual Italian faux marble lacquered and parcel-gilt casket, probably Venetian mid 18th century

with incised line decoration on a pistachio green ground, the domed lid with a carved foliate and fruit finial and a baluster frieze, with four ovoid faux marble reserves joined by parcel-gilt swags above a faux verde antico trompe l'oeil balustraded gallery, the shaped base with conforming gilt decoration and a shaped apron terminating in four scroll carved feet, with gilt-metal carrying handles and pierced s and c scrolled escutcheon

Colour far less orange, more natural and attractive than in the photograph. Very attractive carving. The mounts would appear to be original and are slightly tarnished and are dirty and would benefit from a light clean according to taste. The decoration on the inside of the lid is also carved in relief, which is not apparent from the photo and is a most attractive feature. Some retouching to decoration. Impressive size. An unusual piece in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This casket is interesting as it is a fusion of both rococo and neo-classical styles. It demonstrates an exuberance that is typically Venetian in part through it's curvacious bombé form,gaily painted decoration and through the use of gilt on lacquer. It has a luxurious feel - like the costly lacquer being exported form the Far East at that time. The neo-classical details such as the swags and balustrade reference the antique - a new influence spreading across Europe. This piece would have been an extravagant purchase or commission by someone in the upper echelons of Venetian society, an individual or family who was demonstrating their understanding and appreciation of mid 18th century European cutting edge fashion.