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A George III mahogany hall chair circa 1765
Description
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Hall chairs, according to Sheraton in The Cabinet Dictionary, 1803, were 'for the use of servants or strangers waiting on business. – They are generally made all of mahogany, with turned seats and the crest or arms of the family painted on the centre of the back.' This hall chair, its elaborately carved and the pierced backrest centered by a cabochon, appears to have design elements taken from several sources, including Ince and Mayhew, The Universal System of Household Furniture, 1762, pl. IV, Thomas Chippendale, The Gentleman and Cabinet-Maker's Director, 3rd ed., 1763, pls. XVII and XVIII, and probably most directly from Robert Manwaring, The Cabinet and Chair-Maker's Real Friend and Companion, pl. 3, the backrest with a cabochon painted with a coat of arms. Cf. a pair of George III mahogany hall armchairs with similarly carved backrests, The Hyde Park Collection, 1989, pp. 168-169. An almost identical hall chair was sold in these rooms October 21, 2004, lot 337.