A Dutch fruitwood inlaid and floral marquetry walnut commode second half 18th Century

of serpentine form, the shaped top inlaid with a vase of flowers flanked by parrots, birds and scrolling acanthus amidst floral sprays, above three serpentine drawers, flanked on either side by a pull-out candle-slide and a bowed door enclosing five serpentine drawers, the side similarly inlaid to the top, on squat cabriole front legs and bracket feet; restorations to marquetry

Colour far less yellow with more contrast of colours and much more attractive than in the catalogue photograph. There is a horizontal crack running across the top which will need filling as there is some lifting of the inlay and some minor losses as a result. There is also a vertical crack on the right side and a smaller vertical crack on the left side which can easily be filled. There are some restorations generally to the marquetry and patches and some losses as visible from photograph. The handles on the internal drawers are later. The feet have been reblocked and the front feet are possibly later replacements. An unusual and rare model with the drawers in the curved corners. In otherwise good restored condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The technique of using floral marquetry employing coloured woods was typical of the work of cabinet-makers in Amsterdam and the Hague in the 17th and 18th centuries, the shading of which was done with hot sand to give a three dimensional effect. The influence of Dutch still life painting is apparent on many Dutch marquetry pieces with its exhuberant depictions of vases of flowers, birds and butterflies. The Dutch taste for floral marquetry furniture was also popularised in the second half of the 17th century by Pierre Gole (1620-84).