- 176
WILL ASHTON
Description
- Will Ashton
- KOSCIUSKO
- Signed lower left; inscribed with title lower right
- Oil on canvas
- 49.5 by 60cm
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Will Ashton was one of the most successful Australian artists of the post-WWI period. Widely travelled and extensively exhibited in Europe, his French landscapes and Parisian street scenes were particularly popular. The present work is, however, a local subject, one of a series of winter views in the Alps which the artist painted in the later 1920s, and which included paintings such as Kosciiusko and Smiggins' Camp, Kosciusko (both Art Gallery of New South Wales). Kosciusko won the Wynne Prize in 1930. Unlike those unpopulated landscapes, the present work also provideds a record of early alpine recreation, with a straggle of skiers shown in front of the then new and luxurious Koscuisko Chalet at Charlotte Pass.
Describing Ashton's 'snowscapes', the artist's friend and colleague Han Heysen wrote at the time that they 'contained that clarity of light, precise and crisp handling, which gave them a distinctly Australian character and an interesting contrast to the snow scenes of Europe and England to which he has accustomed us.'1
1. Hans Heysen, 'Will Ashton's Paintings', Art in Australia, 3rd series, no. 28, June 1929 (n.p.)