A large Italian walnut and inlaid cassone, possibly Florence parts early 16th century

incorporating early 16th century panels

Very decorative and in fair condition. The warped cover with some patching, traces of worm and fragmenting prominent on the rim. The hinges with detachable bolts. The veneered and inlaid frieze with some losses and patching. The moulding with some typical separations. The carved capitals with some chipping and wear. Splits to the carved panels. The surrounding bandings with some separations and losses. The plinth with wear and partial loss of moulding. This is an impressive piece of bold proportions.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This cassone is good example of the fusion of late Gothic and Renassiance design. There are fine Gothic blind tracery panels combined with flamboyant classical inlay and well carved capitals demonstrating a knowledge of the 'new' by the craftsman or men responsible. For a comparative see Auguston Pedrini (transl. R. W. Symonds), Italian Furniture, Interiors and Decoration of the Fifteenth and Sixteenth Centuries, London, 1949, fig. 206.