A pair of iron vases Meiji Period, late 19th century

each decorated in gold and silver nunomezogan, iroe-takazogan and silver framework in relief, with panels, one possibly depicting Minamoto no Yorimasa between roundels and geometric panels beneath a band of grapevine to the shoulders

With the Avo Krikorian collection: Innovation and inspiration of Meiji period design (lot 359-362A as well)

 

In overall good condition with very few minor dents, marks and very light surface scratching. Two attractive and highly recommendable vases.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Komai Otojiro (1842-1917) of Kyoto originally made iron sword guards with gold inlay. After the prohibition of wearing swords in 1876 he turned the same technique to decorative pieces for export. His son Seibei (1883-1970) continued with the same high quality work.

The Meiji period marked the modernisation of Japan and the restoration of Imperial Rule after centuries of government by the military samurai class. Essentially closed to foreign contact throughout the Ido period (1600-1868), the Emperor Meiji encouraged the adoption of Western ways and the adaptation of Japan's traditional arts and crafts to Western taste.
In 1867, the year before the Restoration, the government sent a delegation to the Paris Exposition, whilst independently the great samurai clans of Saga and Satsuma in Kyushu sent deputations carrying ceramics and various antiquities to Paris. From that time the craze for Satsuma ware swept across Europe and America and the Japanese potters were quick to step up rates of production in response.