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an important bamboo carving of the 'Eight Daoist Immortals crossing the sea' Qing dynasty, 18th / 19th century
Description
Exhibited
Selections from the Lutz Bamboo Collection, Denver Art Museum, Denver, 1979, cat.no. 15, p. 27.
Mikimoto Exhibition, Tokyo, 1987, no. 7.
Literature
Ip Yee and Laurence C.S. Tam, Chinese Bamboo Carving, Hong Kong, 1978, Part 1, no. 174.
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This carving depicts the Eight Daoist Immortals as they cross the rough sea after attending the peach festival of the Queen Mother of the West. Rather than traveling by their clouds, they combined their powers to sail pass the tempest. The proverb is a lesson on how individual strengths and gifts can be used to tackle the same obstacle.
The peaches are rendered in a very idiosyncratic manner. Though they exhibit pointed tips, they are not accompanied by their usual leaves. It is also curious to note that the thick vine wrapped around the fruitless section of the branch-constructed canopy is not the source of the clusters of fruit, thereby dispelling the theory of grapes or other vine-grown fruits. Considering the present subject matter of Immortals, this interpretation is consistent with the symbolism of the peach: immortality.
See two other bamboo carvings depicting this tale and with a canopy of peach trees, sold at Christie's New York, 29th March 2006, lot 242; and in our Hong Kong rooms, 4th November 1997, lot 1231.