A RARE GE TYPE BOTTLE VASE YONGHENG SEAL MARK AND PERIOD

the finely potted globular body rising to a tall cylindrical neck with flaring rim, covered overall with a pale bluish-grey glaze suffused with a matrix of crackles 

Imperial Oriental Art, New York, 2004.

This vase is in good condition. There are two minor glaze crawls at the lower part, just above the foot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present piece is a fine and rare example of the elegance and gracefulness characteristic of 'Ge'-type wares; see a pair of closely related vases sold at Christie's New York, 21^st September 1995, lot 242. The form derives from the Song dynasty, which was reproduced during the Yongzheng period in this particular 'Ge'-type glaze. A Song period 'Guan' prototype, later inscribed with an ode on the base by the Qianlong emperor, was included in the International Exhibition of Chinese Art, Royal Academy of Arts, London, 1935, cat. no. 824.

The most highly prized Song dynasty 'Guan', 'Ru' and 'Ge' wares were copied at Jingdezhen from as early as the Ming dynasty, and these high-fired glazes were particularly popular in the Yongzheng and Qianlong periods. Because some pieces did not strictly adhere to known Song styles, it was not often clear whether 'Guan', 'Ru' or 'Ge' were meant to be evoked. Nevertheless, it does suggest the Emperor's deep appreciation and respect for the past, together with the want for its preservation.