Fernando Zobel 1924-1984

Acquired by the grandmother of the present owner circa 1959; thence by descent to the present owner

Fribourg, Musée d'Art et d'Histoire, La Jeune peinture espagnole, 1959

Original canvas. There are a few minor areas of retouching visible under ultraviolet light, notably to the upper right corner and to a horizontal repaired tear (approx. 6cm.) and a 4-shaped repaired tear (approx. 3 by 1 by 6cm.) to the upper centre (both patched on the reverse). Apart from some light craquelure to the retouched area at the upper right, this work is in good condition, with a clean surface and rich tones. Held in a simple, narrow wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

After World War II, Zóbel left his native Manila for the United States to attend Harvard University, where he worked with the Boston School of figurative painting. After returning to the Philippines, Zóbel came back to the East Coast of the United States in 1954, visiting Providence, Rhode Island, where he encountered Mark Rothko's work. Marking a turning point in his career, thereafter he settled in Spain, his subsequent work expressing a potent meditative quality and his increasing fascination with light.