- 342
Joaquín Mir Barcelona 1873-1940
Description
- Joaquín Mir
- Miravet
- signed J. Mir lower right
- oil on canvas
- 70 by 110.5cm., 27½ by 43½in.
Provenance
Private Collection, Barcelona
Acquired by the present owner from the above
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Painted circa 1929-1930, the present work depicts the village of Miravet from the surrounding orchards called 'del Masclet', on top of the hill of Miravet d'Ebre in Catalonia, captured by Mir during one of his 'pictorial campaigns'. While living in Vilanova (lot 322), and between 1924 and 1933, the artist explored different parts of Catalonia and the Pyrenees and the surrounding area including Alforja, Tarragona, Montserrat and Andorra where he stayed for days, weeks or even occasionally months. Mir spent the autumn of 1929 and the spring of 1930 in Miravet. During this time he produced a large number of oils and drawings of the hilltop village, crowned by a steep hill and its castle.
Mir was awarded the Medalla de Honor at the Exposición Nacional de Bellas Artes in Madrid for his paintings of Miravet. Critic Joan Antón Maragall proclaimed that '... the ensemble was truly spectacular, both for the subject matter and for the explosion of colour that Mir showed in his paintings... it produced a different expression for this artist, with his presentation of himself as more extroverted, less concentrated in the majority of the works, less of a slave of the subject matter' (quoted in Joaquim Mir. 1873-1940, Fundación cultural MAPFRE Vida, Madrid, 2004, p. 197).