Lot 290
  • 290

# - Potter, Beatrix.

Estimate
40,000 - 60,000 GBP
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Description

  • The Rabbits' Christmas Party: The Departure
152 by 152mm., fine ink and watercolour drawing, signed lower left corner "HBP.", mounted, minor browning and spotting not affecting image, slight creases and tears not affecting image

Condition

There is a slight crease running from the head to the foot of the leaf slightly affecting the image at certain angles. There is some minor browning and spotting not affecting the image. Some minor tears at the extremities of the leaf similarly do not affect the image. The image is less red than that printed in the published catalogue. The colours are bright and vivid.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The final scene from "The Rabbits' Christmas Party" sequence.

This painting is widely known from another copy in the V&A Collection (V&A1006). It featured in the Linders' The Art of Beatrix Potter (London, 1972); Taylor, Whalley, Hobbs and Battrick, Beatrix Potter 1866-1943 - The Artist and Her World (London, 1987) and Hobbs, Beatrix Potter - Artist and Illustrator (London, 2005).

Hobbs, in the Dulwich Picture Gallery exhibition catalogue, noted "The attitudes are both rabbit-like and human. Only an artist with an intimate knowledge of anatomy could convey so well both musculature and the texture of fur. Remarkable, as in all Potter's animal drawing, is her observation of ears." See Hobbs, Beatrix Potter - Artist and Illustrator (London, 2005)