Lot 241
  • 241

Yeats, W.B.

Estimate
1,000 - 1,500 GBP
bidding is closed

Description

  • Two Poems. New Haven, 1932 [? actually Paris, ? late 1960s]
calligraphic manuscript (157 x 111mm.), prokosch's own copy with his bookplate, "limited to five hand-illustrated copies" (of which this is number 1), with an original drawing drawing by prokosch tipped-in opposite the title (coloured in gold, red, silver, blue and green), initialled "F.P. 1932",  original marbled ochre, silver and gold mabled wrappers

Provenance

Frederick Prokosch, bookplate

Literature

Barker, The Butterfly Books, manuscripts, no. 2

Condition

Condition is described in the main body of the cataloguing, when appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Also loosely inserted in this copy is an an original sketch by Prokosch, initialled "F.P.", and signed below "Original sketch Frederic Prokosch", together with a "Model Illustration" on the reverse, being an initial version of the main hand-coloured drawing tipped-in opposite the title.

According to the colophon in Prokosch's own hand this manuscript was "Hand-illuminated and hand-bound by me in August 1932 at 349 Fountain Street, New Haven, Connecticut". Prokosch was in New Haven in 1932, but this is apparently one of his forgeries of one of his "earlier" works.

The poem "Symbols" first appeared in Words for Music Perhaps and other Poems on 14 November 1932, and in the December 1932 issue of The Spectator. The other poem "Oil and Blood" first appeared in The Winding Stair (1929),