Edward Lear

Edward Wilson

The colours are clear, although there is evidence of some minor fading to some of the pigments, this is particularly noticeable in the sky. The paper, in general, has not discoloured. However, there is a very minor brown line, located at the extreme edges of the sheet, which is associated with previous mounting. The sheet has been laid down onto an original backing card. Overall the watercolour has been well preserved.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Edward Lear first visited Lugano, Switzerland in 1837 during a walking tour of the Como area. This was the first of numerous visits to Northern Italy and Switzerland, culminating in a permanent move to San Remo in March 1871. Lear spent the summer of 1885 in the Brianza region of Northern Italy only twenty kilometres from Lake Lugano. He described the area as 'beautiful [and] blessed' (see Vivien Noakes, Edward Lear: The Life of a Wanderer, 1968, p. 305). Painted only three years before his death, this watercolour illustrates that Lear's artistic powers did not disminish in the latter part of his life.