Lot 297
  • 297

A The Hague School nickelplated brass and niëllo mantel clock 1920's

Estimate
20,000 - 30,000 EUR
bidding is closed

Description

  • apparently unmarked
  • 30,3 x 24,3 x 11,3 cm
the case etched with a lineair pattern and cubist numerals filled in black niëllo, with black lacquered brass cubist hands, with fitting key and pendulum

Literature

Cf. Rijk, de 2004, plate I, p. 8 for a cabinet by Jan Lecointre, designed circa 1920, with anniversary date in metal inlay, the numerals of comparable design to the ones on the clock here offered 

Condition

Overall in good condition. The nickelplate a bit worn (matted), the niello crackled, with traces of (silver) polish and a bit faded in colour. The backside of the case has an open compartment, without cover but partly covered with marbled (wall)paper.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The clock here offered is a striking example of the impact of the work of Frank Lloyd Wright on Dutch designers and architects in the 1920's, especially a group of architects and interior designers in The Hague whose geometrical style is generally referred to as The Hague School. Within this group a distinction can be made between the luxurious and comfortable interiors of designers such as Hendrik Wouda and the more radical modernist designs of a.o. Jan Wils, who was connected to the De Stijl group. The clock here offered shows characteristics of both philosophies; the machine-esthetics of the nickelplated case being moderated by the symmetry of the decoration