Lot 41
  • 41

Robert Combas

Estimate
50,000 - 70,000 EUR
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Description

  • Robert Combas
  • Sans titre
  • signé et daté ; signé et daté au dos
  • acrylique sur toile
  • 194,5 x 129,5 cm ; 76 9/16 x 51 in.
  • Peint en 1995.

Provenance

Collection particulière Européenne

Condition

Colours: The colours are fairly accurate in the catalogue illustration, although the overall tonlity is lighter in the original. The guitarist's hair are brown in the original rather than black in the catalogue illustration. Blue colours are deeper and richer in the original. Colours are vivid. Condition: The work is in excellent condition. Some slight traces of abrasion are visible at the four corners. A paint loss is visible on the lower left edge (approximately 3mm). A few slight lines fluoresce in the white parts of the composition (drums), which appears to be inherent to the artist's working process.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

signed and dated; signed and dated on the back; acrylic on canvas. Painted in 1995.

Ma peinture c'est du rock, la recherche du Feeling. Le Feeling c'est le rythme, c'est le batteur fou dans la jungle et les danses vaudou, c'est les Rolling Stones copiant les vieux morceaux des noirs, des blues-men et sans le vouloir créant une musique nouvelle. Moi, c'est un peu comme ça pour la peinture, avoir le rythme (feeling) des écritures et des peintures publicitaires chinoises, arabes, méditerranéennes. (Robert Combas, 1982).


Fig. 1. Pages de cahier de collégien de R. Combas, 1970. - © D.R.