- 32
James Rosenquist
Description
- James Rosenquist
- Small Doorstop
- signed and dated 1963-67 on the reverse
- oil on canvas, three lightbulbs and cable
- 24 by 36 by 9 in.
- 61 by 91.5 by 23 cm.
Provenance
Mrs. Helen W. Benjamin, New York (acquired from the above in 1967)
By descent to the present owner, daughter of the above
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This work is a smaller version of the painting Doorstop (The Museum of Modern Art, New York: Mrs. Armand P. Bartos Fund, by exchange, and gift by Agnes Gund).
Judith Goldman quotes Rosenquist explaining the meaning of these works: "I knew some ex-cons in the fifties. They lived in Bunglaows and were extremely cautious. When I'd go to visit them they'd peep out the window. They'd tiptoe through their house. I wanted to make a painting that was like a pinball machine. I wanted the rooms to light up randomly. Doorstop is about wandering around a house plan." She adds, "Doorstops are used to keep doors open, but the title carries a pun that implies confinement." (Judith Goldman, James Rosenquist, New York, 1985, p.20)
A small number of other "Doorstops" in these dimensions are known, including a red one sold at Sotheby's New York on May 15, 2008, lot 194. That work was numbered VIII/ X Three others are believed lost/destroyed. The present work is not numbered.