- 306
Louise Lawler
Estimate
8,000 - 12,000 USD
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Description
- Louise Lawler
- Pleasure/More
- signed, dated 1998/99 and numbered 3/5 on the reverse of the mount
- Cibachrome print mounted on aluminum
- 30 by 36 1/2 in.
- 76.2 by 92.7 cm.
Provenance
Metro Pictures, New York
Acquired by the present owner from the above
Acquired by the present owner from the above
Condition
In good condition. Aluminum mount is cradled with wood on the reverse. Scattered areas of extreme edges slightly bent (extreme outermost ede of sheet extends over edge of mount).
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Pleasure/More captures Andy Warhol's Silver Clouds re-created installation at the New York gallery D'Amelio Terras in 1997. Unlike most of her photographs of art on display, here, Lawler has chosen to reinterpret the work in a new spatial dimension rather than contextualizing the original artwork in its gallery setting. This unique examination of Warhol's mass-produced installation highlights the multi-dimensional qualities of the work, a testament to Lawler, who is a sculptor in her own right.