- 59
Louise Bourgeois
Description
- Louise Bourgeois
- Cove
- stamped with the artist's initials and numbered 3/6
- bronze with artist's steel base
- overall: 167.6 by 97.8 by 50.8cm.; 66 by 38 1/2 by 20in.
- bronze: 53.3 by 97.8 by 50.8cm.; 21 by 38 1/2 by 20in.
- Executed in 1988, this work is from an edition of 6 plus 1 artist's proof.
Provenance
Acquired directly from the above by the present owner
Exhibited
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Coinciding with Louise Bourgeois's major international retrospective, first unveiled at Tate Modern, London in 2007 and touring in 2008-09 to the Centre Georges Pompidou, Paris, the Solomon R. Guggenheim, New York, the Los Angeles Museum of Contemporary Art and the Hirshhorn Museum and Sculpture Garden, Washington D.C., the presence of this stunning work, Cove from 1988, offers a unique opportunity at auction.
Bourgeois's striking Cove embodies the polarities between anxiety and calm. The round organic shapes and curving lines of the bronze create an overall sensation of fluidity yet emerging from the centre is a tangling medley of arms and forms struggling against each other evoking an inner tension. The rich and lavish dark patina contrasts dramatically with the gleaming golden bronze, highlighting the circular protrusions. Bourgeois achieves this duality in her sculpture by combining body and landscape. Constantly preoccupied with relationships, the human form melds into her composition crafting a unified whole. The title, Cove, refers to a curve in the landscape where boats find safe harbour. The hands signify protection and guidance while the protuberances make reference to growth, body parts and the vulnerability of sexuality. At once visually and psychologically charged, Cove addresses Bourgeois' core themes of femininity, sexuality and isolation in a context which defies convention and perpetually challenges her viewer.
Bourgeois' long career has been dominated by her effort to penetrate the shell protecting her unconscious in order to unearth and ultimately confront some of the deeply repressed issues which conditioned her youth. Working through most of the Twentieth Century's avant-garde artistic movements, from abstraction to realism, she has maintained a uniquely individual approach to her art and through her highly complex sculpture, has established herself as one of the greatest artistic innovators of this century.