Contemporary Art Day Sale

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拍品 402
  • 402

Richard Prince

估價
250,000 - 350,000 USD
招標截止

描述

  • Richard Prince
  • Untitled (Labels)

  • each signed, dated 1977 and numbered 3/10 on the reverse

  • Ektacolor prints, in 4 parts

  • Each: 20 by 24 in. 50.8 by 61 cm.

來源

Barbara Gladstone Gallery, New York
Acquired by the present owner from the above

展覽

New York, Whitney Museum of American Art, Richard Prince, May - July 1992, illustrated, frontispiece (another example exhibited)
Basel, Museum für Gegenwartskunst, Richard Prince Photographs, December 2001 – February 2002, p. 26 illustrated (another example exhibited)
Zürich, Galerie Eva Presenhuber, Man, June – July 2004, p. 70, illustrated, (another example exhibited)
New York, Solomon R. Guggenheim Museum, Richard Prince: Spiritual America, September 2007 – January 2008 pp. 64-65, illustrated (another example exhibited)

Condition

This work is in very good condition overall. There are soft handling creases throughout the surface. There is a ¾ in. scuff mark on the print pictured bottom right, located approximately 2 in. from the bottom edge and 4 ¼ in. from the left edge which was presumably inherent within the source image. The prints are archivally mounted into plastic corners affixed to an acid-free mat. Each work is framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

By stealing pictures contrived to represent the "real world" (but which sell a concept of what we should want the real world to be) and presenting identical versions of them, Prince puts into play a dizzying strategy that challenges the distinction between truth and fiction... In effect Prince gives the mass-produced, anonymously created pictures a new life, assigning them an aura they had no hopes of achieving otherwise.
(Nancy Spector, Richard Prince, New York, 2008, p. 28)