Lot 418
  • 418

Wang Guangyi

Estimate
150,000 - 200,000 GBP
bidding is closed

Description

  • Wang Guangyi
  • Great Criticism Series: XoHine
  • titled; signed and dated 2005 on the reverse
  • oil on canvas
  • 200 by 200cm.; 78¾ by 78¾in.

Provenance

Private Collection, Miami

Condition

Colours: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition. There is a faint pencil grid visible to the yellow passage in particular, inherent to the artist's working process. There is a very light rub mark to the bottom edge, approximately 20cm. to the left of the extreme right corner tip. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

' The dislocation of two iconic images/signs creates a humorous and absurd effect that carries with it a biting satire of both of the ideology of the Mao era and the blind craze for Western consumer products prevalent in today's China, coupled with a frank delight in the silly glamour of cultural Revolution and pop marketing images.'

Chang Tsong-Zung cited in: Post-1989, Hong Kong 2001, p. xxi