Lot 118
  • 118

Nan Goldin

Estimate
10,000 - 15,000 GBP
bidding is closed

Description

  • Nan Goldin
  • Prairie Creek Redwoods, California
  • each: signed, titled, dated 1999 and numbered 1/3 on the reverse
  • cibachrome print, in three parts

  • each: 76.2 by 76.2cm.; 30 by 30in.
  • overall: 76.2 by 228.6cm.; 30 by 90in.

Condition

Colour: The colours are fairly accurate in the catalogue illustration although the overall tonality is slightly richer in the original. Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Nan Goldin exhibited The Ballad of Sexual Dependency at the ICA in
1989. This seminal work, which had its debut in 1979 but which
continued to evolve over many years, consists of a slide projection set to music, including hundreds of photographs of the artist's friends and lovers, taken between the 1970s and 1980s. Subsequently Goldin exhibited in the group show Bad Girls, 1993, which brought together a group of women artists creating new (and arguably 'post-feminist') expressions of sexual identity.

Prairie Creek Redwoods, California, 1999, was specially selected by the artist for the ICA's 60th anniversary auction. Goldin has said that until she detoxed she had no real relationship to nature or daylight, as she lived mostly in the night. In her recent landscapes the artist depicts a newly discovered emotional response to the natural world – one characterised by a great sense of loss.