Lot 334
  • 334

Tang Zhigang

Estimate
120,000 - 180,000 GBP
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Description

  • Tang Zhigang
  • Untitled (Chinese Fairytale)
  • signed and dated 05
  • oil on canvas
  • 149 by 179cm.; 58 3/4 by 70 1/2 in.

Provenance

Canvas International Art, Amstelveen

Condition

Colour: The colours in the catalogue are fairly accurate although the overall tonality is much warmer and richer in the original work with creamier hues throughout the background. Condition: This work is in very good condition. There is a minute flyspot above the centre of the right figure's hat. There are several very faint small stretcher marks above the bottom edge. No restoration is apparent when examined under ultra-violet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Tang Zhigang's Children in Meeting' series captures the absurdity of the bureaucracy of institutional life in the most charming manner. He uses the technique and style of realism usually associated with social cause and egalitarianism; a style accessible to the common man whatever his station in life. It also suggests serious-mindedness, which becomes the poker-faced, dead-pan, tongue-in-cheek flip of Tang's joke.

 

"In the army I was in charge of propaganda at the Political Department. Apart from preparing the setting for gatherings, writing slogans and taking pictures, I was also responsible for the art education of the children in the army." (Tang Zhigang speaking about the genesis of his 'Children in Meeting' series, cited on www.hanart.com)