Antonio Saura

Galerie Stadler, Paris
Galerie Otto van de Loo, Munich

Colour: The colour in the catalogue illustration are fairly accurate though the overall tonality is deeper and richer in the original with the background tending more towards charcoal grey and the central element to jet black in the original. Condition: This work is in very good condition. There are several extremely faint and stable cracks to the impasto at the centre of the composition. There are two tiny losses, one to the bottom left hand corner of the central black element and the second towards the top right corner of the same element. There are several spots of extremely faint wear and a slight canvas draw to the extreme edges of the canvas. Examination under ultra violet light reveals no sign of clear re-touching.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This work is registered in the Antonio Saura Archives, Geneva, and is accompanied by a certificate of authenticity