Lot 144
  • 144

A Fine Intact Kashan Black and Turquoise Bowl, Persia, Early 13th Century

Estimate
20,000 - 30,000 GBP
bidding is closed

Description

of truncated conical form with flaring walls stepped down to a straight vertical foot, painted in black under a transparent turquoise alkaline glaze with a band of "water-weed design" around the cavetto and to the well, scalloped patterning to the rim, the exterior with a solid black concentric band

Exhibited

On loan to L'Institut du Monde Arabe, Paris, in the 1990s

Literature

Published Céramiques du monde musulman, L'Institut du monde arabe, Paris, 1999, p.116 (illustrated).

Condition

Glaze craquelure throughout, with some surface wear on the outside of the rim.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The water-weed design first appears in Persian underglaze-painted wares in the early thirteenth-century. These wares, decorated using a brush, superseded the earlier and more-labour intensive slip-carved "Silhouette wares". The brush had several advantages over the knife: not only did it speed up the design process, but it also allowed for more fluid and painterly decoration, of which this bowl is a fine example.

These wares were produced for export as well as for the domestic market and were closely imitated at the Raqqa potteries of northern Syria. For a discussion of the impact of Persian underglaze-painted designs on Raqqa and Fustat in the first half of the 13th century, see Philon, H., "Stems, Leaves and Water-Weeds: Underglaze-painted pottery in Syria and Egypt", J. Raby (ed.), The Art of Syria and the Jazira, 1100-1250, Oxford, 1985.