Lot 92
  • 92

Paul Howard Manship 1885-1966

Estimate
20,000 - 30,000 USD
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Description

  • Paul Howard Manship
  • Salome
  • inscribed Paul Manship and dated © 1915, also inscribed with the Roman Bronze Works N-Y- foundry mark on the base
  • bronze, brown patina
  • height: 18 1/2 in.
  • (47 cm)

Provenance

Graham Gallery, New York
Acquired by the present owner from the above, 1980

Literature

Paul Vitry, Paul Manship, Sculpteur Américain, Paris, 1927, pl. 9 illustration of another example
Edwin Murtha, Paul Manship, New York, 1957, no. 73, pl. 5, illustration of another example
Paul Manship: Changing Taste in America, St. Paul, Minnesota, 1985, p. 70, color illustration of another example 
John Manship, Paul Manship, New York, 1989, p. 63, illustration of another example p. 65
Harry Rand, Paul Manship, London, 1989, p. 42, illustration of another example
Susan Rather, Archaism, Modernism, and the Art of Paul Manship, Austin, Texas, 1993, p. 129, illustration of another example

Condition

Very good condition; some surface dirt.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Edwin Murtha describes Salome as "a striking example of Manship's early decorative style. Its high finish is outstanding even among other jewel-like bronzes he did at the same time. His Salome is as fully achieved an interpretation of the subject as has been made. What might be an excess of fine detail on another work is entirely suitable to the barbaric opulence of this theme" (Paul Manship, p. 157).