- 79
Harriet Whitney Frishmuth 1880-1980
Estimate
125,000 - 175,000 USD
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Description
- Harriet Whitney Frishmuth
- Joy of the Waters
- signed Harriet W Frishmuth SC 1972, on base; also FINAL ED 65 and Roman Bronze Works Inc NY on edge of base
- bronze, verdigris patina
- Height: 62 1/2 in.
- (158.7 cm)
Provenance
Estate of Joan Kroc (sold: Christie's, New York, December 1, 2005, lot 61, illustrated in color)
Acquired by the present owner at the above sale
Acquired by the present owner at the above sale
Literature
Charles N. Aronson, Sculptured Hyacinths, New York, 1973, pp. 26, 107-9, illustration of another example
Janis Conner and Joel Rosenkranz, Rediscoveries in American Sculpture: Studio Works, 1893-1939, Austin, Texas, 1989, pp. 37-8, 40-42, 191, illustration of another example
Janis Conner, Leah Rosenblatt Lehmbeck, Thayer Tolles, Captured Motion: The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works, New York, 2006, pp. 28-9, 37-8, 48, 66, 86, 200, 277, illustration of another example p. 236
Janis Conner and Joel Rosenkranz, Rediscoveries in American Sculpture: Studio Works, 1893-1939, Austin, Texas, 1989, pp. 37-8, 40-42, 191, illustration of another example
Janis Conner, Leah Rosenblatt Lehmbeck, Thayer Tolles, Captured Motion: The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works, New York, 2006, pp. 28-9, 37-8, 48, 66, 86, 200, 277, illustration of another example p. 236
Condition
Generally good condition, piped as a fountain, uneven streaked verdigris patina.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Thayer Tolles writes: "Modeled in 1917, Joy of the Waters epitomizes Frishmuth's new vibrant expression of the female form in self-assured abandon. The sculpture was the collective brainchild of Frishmuth and Desha [Delteil], evidence that models often inspired Frishmuth's creative direction and decisions, Apparently one day when they were in the Sniffen Court studio, Frishmuth asked Desha what she would do if she were 'standing barefoot on a rock and a little cold ripple hit [her] foot,' Desha's leaping pose, struck in reaction to this imagined splash of water was the genesis for Joy" (Captured Motion: The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works, p. 28). Though Desha provided the inspiration, Janette Ransome was the model for the large version of Joy of the Waters, which was first cast in 1920.