A Superb Luba Hermaphrodite Figure, Democratic Republic of the Congo

standing on short parted legs, the hermaphrodite figure with prominent phallus and pointed breasts, the hands resting on the abdomen surmounted by a spherical head of delicate, typical features wearing an elaborate coiffure terminating in a single braid; aged dark brown, partially resinous patina with residue.

The Arcade Gallery, London
Acquired from the above, November 15, 1976 (invoice no. '133/76')

very good condition overall; losses to left foot, minor losses to right (insect damage) chips on tip of braid; exceptionally fine patina in untouched condition, dry on top of head with drip line on abdomen coming from chin; aged dark brown, partially resinous patina with residue.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This imposing hermaphrodite figure with hands resting on the abdomen is a masterful example of Luba artistry. In the rendering of different parts of its composition it suggests stylistic influence from neighbouring Luba-related or Luba-ized groups who honored ancestral spirits through portraiture such as the Sikassingo, Hemba, Kusu, and Tabwa. However, the classification as Luba is definite and can be based on the facial features as well as the surface pattern of the braid which alludes to the incised geometric design found on the back of memory boards (lukasa), staffs, and other royal Luba emblems. The large quantities of oil exuding from the figures inside, as well as the appearance of the wood attests to the great age of this work.