- 78
DAWIDI
Description
- Dawidi
- WAGILAG SISTERS
Bears artist's name, title and descriptive hand written notes on a label attached to the reverse, together with the catalogue number DW17
Natural earth pigments on eucalyptus bark
- 119.5 by 62 cm
Provenance
Private collection
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Cf. For similar paintings of the Wagilag Sisters by Dawidi, see Wagilag Creation Story, 1963, in the collection of the National Gallery of Australia, and Wagilag Creation Story and the thundercloud before the first wet season, 1965, in Caruana, W. and N. Lendon (eds.), The Painters of the Wagilag Sisters Story: 1937-1997, National Gallery of Australia, Canberra, 1997, pp.44-45, pl.14-15 respectively; Wagilag Sisters myth, c.1968, in Mundine, D. et al, They are Meditating: Bark paintings from the MCA's Arnott's Collection, Museum of Contemporary Art, Sydney, 2008, p.100; and The Wagilag Story – The Singing Sticks, c.1960, in O'Ferrall, M.A., Keepers of the Secrets: Aboriginal Art from Arnhemland in the Collection of the Art Gallery of Western Australia, Art Gallery of Western Australia, Perth, 1990, p.62, pl.68, illus.
This is an archetypal image of the Wagilag Sisters chronicle, painted by the senior ritual leader of related ceremonies at the time of its creation. The central feature of the painting is Wititj the Python emerging from its waterhole to surround and swallow the Sisters and their children. The remaining elements depicted include the rain cloud of the first monsoon in the upper left, stars, creatures caught by the Sisters for food, the sand palm at the site emerging from the semi-circular waterhole, the dots of rain, and the footprints of the Sisters as they danced and sang in an effort to prevent Wititj from attacking them.