Lot 68
  • 68

YIRAWALA

Estimate
30,000 - 40,000 AUD
bidding is closed

Description

  • Yirawala
  • KUNAPIPI (SACRED AND SECRET)
  • Bears artist's name, catalogue numbers Y/4 and 8 on the reverse together with Gould Collection documentation attached to the reverse
  • Natural earth pigments on eucalyptus bark
  • 82 by 55.5 cm

Provenance

Painted at Minjilang, Croker Island, Western Arnhem Land in the 1960s
Jerome Gould, Los Angeles
Private collection

Condition

The bark is attached to a lightweight stretcher and has a number of harirline cracks in the surface and a number of fine splits along the frame on the upper and lower edges. The pigments are generally in a good and stable condition although there are some areas of minor pigment loss in some areas of the painting
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The documentation on the reverse states that, "The painting represents a 'ceremonial drawing showing the great python killing and eating the two sisters and a child'.

Cf. For related paintings in the collection of  the National Gallery of Australia, see Holmes, S. Le Brun, Yirawala: Painter of the Dreaming, Hale & Iremonger, Sydney, 1994, pl.119, 120. See also Serpent Swallowing Wagilak Sisters, and Wallaby, c.1968, in the collection of the Australian Museum, in Sutton, P. (ed), Dreamings. The art of Aboriginal Australia, Viking, Melbourne, in association with The Asia Society Galleries, New York, 1988, p.42, fig.64; and Katjailen the serpent devouring the child, n.d., in the collection of the Art Gallery of South Australia, in Isaacs, J., Australia's Living Heritage, Lansdowne, Sydney, 2000, p.194, illus.

A regional variation on the Wagilag Sisters story that originates in the east and finds its apotheosis at Mirrarmina in central Arnhem Land, the encounter between the Sisters and the Giant Python shown here follows the pictorial conventions used in the east to depict the Serpent devouring the ancestors.