- 132
EUBENA NAMPITJIN
Estimate
60,000 - 80,000 AUD
bidding is closed
Description
- Eubena Nampitjin
- WUNGADOR
- Synthetic polymer paint on canvas
- 120 by 180 cm
Provenance
Painted at Wirrimanu (Balgo Hills) in 1996
Warlayirti Artists, Balgo Hills, cat. no.284/96
Rebecca Hossack Gallery, London
Private collection
Warlayirti Artists, Balgo Hills, cat. no.284/96
Rebecca Hossack Gallery, London
Private collection
Exhibited
Paintings from Balgo Hills, Rebecca Hossack Gallery, London, UK, 1996
Dreamings - Tjukurrpa, Barbican Art Centre, London, UK, 1997
Dream Traces: A Celebration of Contemporary Australian Aboriginal Art, 22 April - 22 May, 2003, University of Brighton Gallery, Brighton, UK
Songlines, Mercer Art Gallery, 16 September 2005 - 16 January 2006, Harrogate, UK
Dreamings - Tjukurrpa, Barbican Art Centre, London, UK, 1997
Dream Traces: A Celebration of Contemporary Australian Aboriginal Art, 22 April - 22 May, 2003, University of Brighton Gallery, Brighton, UK
Songlines, Mercer Art Gallery, 16 September 2005 - 16 January 2006, Harrogate, UK
Literature
Tucker, M (ed), Dream Traces: A Celebration of Contemporary Australian Aboriginal Art, University of Brighton, Brighton, 2003, illus.
Condition
The painting is in good and stable condition overall with no visible repairs or restoration. There is some minor scuffing to the corners.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Cf. Tjalatjadu rockhole, 1996, in Morphy, H. and M. Smith Boles (eds.), Art from the Land: Dialogues with the Kluge-Ruhe collection of Australian Aboriginal art, University of Virginia, Charlottesville, USA, 1999, p.177, pl.6.10; Wiritji rockhole, 1998, in the collection of the Museum and Art Gallery of the Northern Territory, in Perkins, H. and M. West (eds.), One Sun, One Moon: Aboriginal Art in Australia, Art Gallery of New South Wales, Sydney, 2007, p.218; Walamalu Taltu, 2000, in the Laverty Collection, in Laverty, C., et al, Beyond Sacred: Recent painting from Australia's remote Aboriginal communities, Hardie Grant Books, Melbourne, 2008, p.127; Kaningarra, 2001, in the collection of the National Gallery of Victoria, in Ryan, J. (ed.), Colour Power: Aboriginal Art post 1984, in the collection of the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2004, p.49; and Wati Kutjarra, 2002, in the collection of the National Gallery of Australia, in Developing the collection: Acquisitions 2001–2004, National Gallery of Australia, Canberra, 2004, p.38, illus.