Jason Martin

Acquired from the artist in 1996 by the present owner

The polyester appears to be in good original condition. There are a few marks of surface dirt on the white painted overlap on the sides of the painting but otherwise the paint surface is in good overall condition. There is no sign of retouching under ultra-violet light. Unframed. Please telephone the department on 020 7293 5381 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Painted in 1993.

Martin's works stand at a point between painting and sculpture, the clear physical act of making each piece contributing towards its individual character. By manipulating the paint surface using specially constructed comb-like pieces of metal or board, the ripples and waves of the paint catch the light in a way that never quite settles. Whilst seen from a distance, the sense of movement and depth is ever-present, but closer investigation temptingly invites one to touch, yet the fear of disturbance keeps one at bay.