Lot 12
  • 12

Glyn Philpot, R.A.

Estimate
12,000 - 18,000 GBP
Log in to view results
bidding is closed

Description

  • Glyn Philpot, R.A.
  • portrait of andre eglevsky
  • oil on canvas
  • 58 by 43cm.; 22¾ by 17in.

Provenance

Doig, Wilson and Wheatley, Edinburgh
Thomas Agnew's and Sons, London, whence purchased by the present owner

Exhibited

Probably London, Redfern Gallery, Glyn Philpot, 4 November - 27 November 1937, no.25.

Condition

The canvas has been relined. The paint surface is in good overall condition. Examination under ultra-violet light reveals scattered areas of retouching, specifically in the lower right quadrant. Held in a gold painted rectilinear frame. Please telephone the department on 020 7293 5381 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Born in Russia, Eglevsky (1917 - 1981) joined the Ballet Russe de Monte Carlo at the early age of fourteen and quickly became widely known for his dancing talents. He most probably came to London in 1937 with the René Blum Ballets de Monte Carlo and sat for Philpot at his Marlborough Gate House studio; Daisy Philpot lists four sittings between 29 September and 6 October. Philpot painted a portrait of the dancer seated in an informal pose (see Robin Gibson, Glyn Philpot, exh.cat., National Portrait Gallery London, November 1984 - February 1985, no.70) as well as the present work which is highly likely to be the head of Eglevsky that is listed in the Redfern Gallery exhibition of 1937.