- 120
A fine pair of Italian Renaissance style patinated bronze torchères Continental, second half 19th century
Estimate
12,000 - 18,000 USD
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Description
- height 4 ft. 11 1/2 in.
- 151 cm
Condition
The rim of the larger dish has been black painted at a later date and as visible in the catalogue illustration, there is extensive flaking to this paint. The torcheres are steady and raised on a tripartite ebonized wooden base with wear and chips to edges.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The present torchères are closely related to ecclesiastical candelabra commissioned in Italy in the second half of the 16th century. Compare examples done by the workshops of Andrea Riccio, the Venetian Allessandro Vittoria, Girolamo and Aurelio Lombardi, all which incorporate figures and rich decorative elements similar to the present lot.