- 564
A Pair of Roman Micromosaic Plaques of Angel Musicians early 19th century
Estimate
25,000 - 35,000 USD
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Description
- heights 13 ¾ in.; widths 11 ½ in.
- 35cm; 29cm
Condition
Overall in good original condition with tarnishing to steel border. Hairline scratches to surface. Both plaques were intended for framing so all borders are not perfectly defined with tessarae. Minor lifting in places and to the right side of mandolin.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The present plaques are after fresco fragments by Melozzo da Forlì, now in the Pinacoteca Vaticana. The original fresco was in the vault of the church of Santi Apostoli in Rome, painted crica 1479-89 for Cardinal Giuliano della Rovere, later Julius II. Melozzo da Forlì (c. 1438 - 1494), was an Italian Renaissance painter near the Umbrian school, the first who successfully practiced the foreshortening technique so well rendered in the present lot.