A LARGE CARVED IVORY TRYPTICH RELIEF MOST PROBABLY DIEPPE, CIRCA 1860

carved in high relief to the effigy of Louis XIV, the arched niche centered by a large figure of Louis XIV flanked by noblemen and musketeers, both side panels depicting battle scenes. 

Overall in good condition. The ebonized frame with minor nicks, chips and scratches consistent with age. The ivory with minor cracks and natural staining. Five replacements and restoration to carved ivory décor. Restoration to the feet and base of second standing figure from left. The upper crown and cloud centering the arch is a replacement. Natural age cracks throughout. Please note this lot contains endangered species and CITES permits will be necessary for export. Please contact the department with any questions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Ivory has always been considered a precious material.  From the antiquity to the early 20th century, it was not only used on its own but was often incorporated by gold and silversmiths to create magnificent works of art. 

For subjects, master carvers and sculptors of ivory drew their inspiration from marble sculptures of the antique as well as from epic paintings by the Old Masters.  Common themes were often biblical, mythological or historical in nature.  Workshops were established in Germany, Italy, Flanders and France, particularly in the Norman harbor city of Dieppe.  Dieppe was one of the most active European harbors from the 16th century onwards, and mass quantities of ivory were imported here.  The plethora of ivory gave the Dieppois artists the ability to experiment greatly with the carving, thus allowing for the creation of many magnificent pieces. 

By the end of the 19th century, ivory works of art from Dieppe were known and sought after by avid collectors for their intricate and outstanding fine carving, distinguishing them in a class all their own.