- 244
Pietro Canonica
Estimate
20,000 - 30,000 USD
bidding is closed
Description
- Pietro Canonica
- dopo il voto (after the vows)
signed P Canonica
- gilt-bronze and ivory, grey granite base
- height 13 1/2 in.
- 34.5 cm
Condition
Overall in very good condition. Dirt to gilt bronze. Original cracks filled with dirt on ivory.
Please note that this lot contains endangered species and CITES permit regulations will apply for export. Please contact the department with questions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Pietro Canonica exhibited a bronze of his Dopo il voto at the Paris Salon of 1893 when he was only 24. As Vicario writes the model depicts a nun "who laments the earthly joys she has renounced with her vows." Canonica's nun leans against a wrought iron fence and seems to breathe a sigh in her reverie. The subject is contemporary and Canonica' s nun seems quite modern with her informal pose as the artist conveys the twist of her body through the heavy folds of her habit. The subject is both humorous and poignant and the bronze was vastly admired at the Salon and the bronze was bought by the artist and dealer, Adolphe Goupil and Canonica received an honourable mention.
Canonica went on to become one of the most successful and distinctive Italian sculptors of his generation. He studied from 1881 at the Accademia Abertina in Turin under the sculptor Odoardo Tabacchi before setting up his own studio. Canonica's fame grew and his prodigious talents were put to use on monuments in Rome, St Petersburg, Istanbul and Bagdad. He was also one of the most sought-after portraitists amongst the international beau-monde creating likenesses of famous artists and politicians as well as crowned heads of Europe. His portraits of the British Royal family were exhibited at the Royal Academy in 1904.
Canonica settled in Rome where he was director of the Accademia di Belle Arti. His house was transformed into the Museo Canonica after his death and a great number of his works are preserved there. A cast of the present model is in the Galleria dell'Arte Moderna, Turin.
Canonica went on to become one of the most successful and distinctive Italian sculptors of his generation. He studied from 1881 at the Accademia Abertina in Turin under the sculptor Odoardo Tabacchi before setting up his own studio. Canonica's fame grew and his prodigious talents were put to use on monuments in Rome, St Petersburg, Istanbul and Bagdad. He was also one of the most sought-after portraitists amongst the international beau-monde creating likenesses of famous artists and politicians as well as crowned heads of Europe. His portraits of the British Royal family were exhibited at the Royal Academy in 1904.
Canonica settled in Rome where he was director of the Accademia di Belle Arti. His house was transformed into the Museo Canonica after his death and a great number of his works are preserved there. A cast of the present model is in the Galleria dell'Arte Moderna, Turin.